Thursday, July 5, 2018

How Dystopian S/F became Our Current Reality

We’re like 18th Century aristocrats, all of us in the West. We sit and lounge while communicating with one another at lightning speed, like insects twittering to one another inside some over-burdened global hive.  Perhaps the trip to a Matrix destiny, that proposed end game of our “civilization,” is a lot closer than we think.

I'm sitting at an old CPU, practically a dinosaur, typing on a miraculous late 1980's IBM keyboard. It's indicative of my age, annual income and education that I treasure this antique. It has a marvelous decisive finger touch that this old style typist appreciates. 

However, the world has passed me by. Now babies clutch tiny devices in their fat dimpled fists. Their little faces, which used to shine while they discovered the world, are now are intent and passive. We are being readied for our place inside Some Thing's great machine, just as s/f  writers, our Cassandras and prophets, from PKD to Silverberg to Octavia Butler--and many others beside, who I have yet to read.


The Overlords must need a lot of us, perhaps for the now well-known flesh-as-battery option. They have set their "sacred" minions to declare that sex-- one behavior we monkey/people naturally have a gift for--is Evil. Of course, to the monkey mind, these days also bent and shaped by our creation of language as in the Medium is the Message--it is at once inevitable that therefore "evil sex" must occur as often as possible. Our governments seem to believe that sex occurs only for the procreation, though any self-respecting teen will tell you this is patently ridiculous.

 All methods to prevent over-population and consequent destruction of our species' range (now this entire planet) -are strictly forbidden by various "religious" authorities. Let's face it--an oversupply of anything in our current Capitalist system leads to low valuation. Therefore this insane directive to increase and multiply is nothing less than a "Majority Church/State Sanctioned" breeding program for slaves. 

Human lives clearly mean less and less and less to the 1%, our corporate masters who have just about successfully concluded their game of Planetary Monopoly. The "excess population" (per Scrooge) is doomed to become either Soylent Green or just old-fashioned cannon fodder--when there are 9 billion of us, who in charge will give a rat's ass when a million give or take are killed in some unnecessary but rah-rah-team-fight church and/or racist final solution? Take a look at how quickly and completely the westernized Middle East collapsed under the weight of sectarian conflict and a few rapacious, murderously inclined dictators!

Mother Kali will be dancing soon, I fear. I just hope she can clear out some of our major demonic evil-doers, along with the inevitable "collateral damage." I can only pray that our beautiful Mother Earth will survive our bad behavior.

Friday, May 11, 2018

The "Summer Collection"

A 1950's Canadian Indian Residential School story: 

Now it’s May again, and the possum has fully awakened.  Of course, it doesn’t just gradually become spring these days—no! That would be old fashioned; it would be what we've grown to expect after the last 70 years. Instead, we have had a long dry chill here where I live in the literal rump of the NE, followed by 90 degree weather for a few breathless days, causing the everyone, including the cat, to suffer from pollen allergies. Next, it falls back into something like the kind of May oldsters like myself remember: a bit gray, a bit sunny, puffy cumuli that might turn into a sullen deck over the apple blossoms , and a distinct pleasant chill whenever the wind blows.

The result is that I have to start changing my winter clothes collection for my “summer collection.” We’re not talking Turner Classic movies or million bucks athletic garb at this house; I’m speaking with tongue firmly-in-cheek. 

What that graceful word “collection” actually means to me is putting my light colored t-shirts, capris and shorts in the drawers in place of the heavier, darker heavier tees and turtlenecks which have occupied them all winter.
It involves lifting heavy plastic tubs full of shirts in/out of tiny spaces in badly aligned closets, maneuvers that require me to bend and lift and twist.  Either that or getting down on the floor to retrieve a low flat box from under the bed. And we all know the fun of getting up on two legs after we've had to get down on all fours, we who are now in their "Golden Years."

 Willy-Yum watches the human bang, crash and clamber from a safe distance--the hall rug. Here, he settles in, big front paws tucked inward against his chest.

After wiping the dust from the lids, I open the tubs. Inside, there they are, the tees I put away at the end of October last year. 

It’s an ever growing collection, I fear, because I have become attached to each and every one, carefully chosen as they were from catalogs or from artsy websites. There are dinosaur tees, one with Eco-slogans, Wheels of the Year, Calaveras, cats, famous movies, and other famous types, from Alex and Eliza Hamilton and Wolf Mozart and his Stanzi as well as  the many faces of Dr. Who. It’s my down-market version of sartorial elegance, suitable either for bike riding, grocery store, yard work or the gym.

When the task is completed, we’ve got the Possum Perfect summer wardrobe (or is it weird-robe?)   packed into the chest of drawers. I’m all ready now for all the heat and humidity now relentlessly on its way.

~Juliet Waldron

Click on the links for:

Sunday, March 11, 2018

REVIEW OF FLY AWAY, SNOW GOOSE (five stars) By Ann Birch

I have read many books about the Indian residential schools, but this one is undoubtedly one of the best. Its main character is a spirited young girl named Yaot’l Snow Goose who lives a happy life in the forests and lakes of the Canadian North West until, on a visit with her family to Yellowknife to trade furs, she is seized by force and taken far away to Fort Providence to the Sacred Heart Residential School. At the same time, her boyfriend Sascho Lynx is also captured. The novel depicts their journey from innocence to despair to hope and happiness as they manage to escape from the horrors of the school and find their way back to their families and freedom.

Though the plot may sound familiar to readers, this one contains a number of surprises. Its authors, Juliet Waldron and John Wisdomkeeper, present their extensive research within vivid scenes that will linger forever in readers’ minds. For example, I cannot think of any other book that shows the cruelty of these schools better than the writers’ depiction of the hair-cutting that takes place as soon as the Indian children enter the institution.  Yaot’l waits, watching the youngsters’ hair being ruthlessly chopped off and knowing that when her turn comes, she must stand up to the enemy. When she bites one of the nuns, she is put into solitary confinement for weeks, a punishment that Waldron and Wisdomkeeper describe in harrowing detail. As Yaot’l looks out of the tiny window of her prison she sees a flock of snow geese flying south. “My own feathered family,” she thinks, “strong and free.” And then she collapses, thinking that she may never again be part of this happy band.

Her ensuing life at the school contains other horrors as well. But along with their description of the usual physical and sexual abuses, the writers offer some surprises. Many of the Indians from warring bands learn to forget their battles as they confront the priests and nuns. Not everyone associated with the institution is a monster—in fact it’s a M├ętis trader who uses his affiliation with the school to help Yaot’l and Sascho escape—and some of the worst bullying that Yaot’l endures comes not from the nuns but from a small coterie of Indian girls who seek praise for their cruelty from the Catholic hierarchy.

The most memorable scenes in the novel are perhaps those describing the escape of Yaot’l, Sascho, and two younger children and the suspenseful events of their long trek back to their families. As she huddles under tarpaulin in the escape boat, Yaot’l, whose name translates to Warrior, acknowledges her terror and wonders if she is no longer a warrior but merely a rabbit. Gradually, however, she regains her courage. The trader who helps the children escape returns to Yaot’l the precious knife on which her brother Charlie has carved a snow goose. At about the same time, she sees a flock of snow geese returning to their northern habitat and she knows for certain then that she will succeed in her struggles. The trader tells her and her friends, “You four are Indians again.”

It’s a lovely book from start to finish. I learned so much about the culture of these North-Western First Nation bands: their religion, their stories, their connection with the land. Most of all, I travelled with Yaot’l and Sascho on their metaphysical journey through the conflicts of life. It’s the very archetype of the journey that many of us must take in order to survive in a difficult world.


Many thanks to Ann Birch for her wonderful review of Fly Away Snow Goose!

~~Juliet Waldron

Monday, February 26, 2018

Possum Views Vultures

Books We Love Book Club: This month's free book:
Victorian German Pennsylvania
She was a mail order Bride


Happy sunshine a week or so ago...and who should I see, sitting in an toherwise empty field, but three enormous turkey buzzards standing on the ground, backs to the sun, wings stretched out so big, so long, the pinfeathers all poking out with its pale trim! They were apparently catching some back-warming rays after a long cold spell, all peacefully facing north, unconcerned about the highway beyond.

Cars racing about, as they do every day, none of the occupants paying any attention at all to the sight of these huge birds who are, for once, at rest, not performing their endless spirals on updrafts, not searching for the smell of death, the scent that signifies a nearby vulture meal.
                                                          "Glorious Battle"

Reality = Not so much

We have a lot of turkey vultures in this valley, more than anywhere else I've ever lived. When we went to Gettysburg, many years ago, the guide  the crowd on the walking tour spun quite a tale. It was about the hoards of vultures who came after the battle, crowding in huge, never-before seen flocks to feast upon the dead, both animals and men. Believable, as vultures have amazing olfactory abilities. I'd imagine they also communicate, group to group, in some way.

"Hey Eddie! I hear there's big doin's down the valley. A reg'lar banquet! Folks flyin' in from everywhere! 'Nuff for ever'body!*"

"Thought I smelt somethin' tasty on that hot wind blowin' up from the south. Let's spiral up this here thermal and go check 'er out!"

Our guide, after allowing us to savor that creepy fact for a few minutes, then went on to add that this was the reason why there were still so many turkey vultures in the area, even now, 150+ years after the mad-house convulsion of slaughter that was the Battle of Gettysburg. 

This left me metaphorically scratching my head. What do these still persistent armies of scavengers live on during the long generations since the marvelous three days of the legendary banquet? Do the vultures hang out with their young, telling and retelling their nestlings about the "thrilling days of yesteryear," as they dream of another episode of The Big Kill?  

Cathartes Aura is their (poetic, I think) Latin designation, which means Cleansing Wind. You might be interested to learn that a group of vultures on the ground are called a "committee" and as I ponder some committees I've watched in action--especially lately in our Congress--I think the name is apt. In flight, a group of vultures is called a "kettle." On the ground, at supper with a host of family and friends, they are--wait for it!--called a "wake."  

~~Juliet Waldron

See all my historical novels, at Books We Love, KOBO, Barnes & Noble & Amazon

* with apologies to Cheech and Chong

Saturday, February 3, 2018

Ground Hog Day Mea Culpa

The lambs are born now in the cold and snow. The days begin to lengthen. Light candles for Her, Mother Earth is tilting us in the northern hemisphere toward  the sun once again.  

It's cold as hell today--not so much the temperature, but the wind chill, a howl out of the west. The birds motor through my offerings of black oil sunflower seed and I had to go outside with wet hair to refill their feeders and scatter more on the ground. 

The squirrels are (mostly) in hiding today, but another tree is being taken down in the neighborhood, and that's not good for the local wildlife. I'm still guilty as hell about the big silver maple we cut in autumn, as the wreckage of furry and feathered lives was visible (and audible, with squirrel on squirrel violence) all around. Precious housing units were abruptly gone and there were bloody fights over what remained. Humans don't realize what we do when we cut a tree--all that food, all that shelter, all that flood control--is instantly lost.

We worried that the dead branches that this kind of tree produces continually--silver maples of any age seem to be constantly in a state of semi-decay, with debris-filled holes and marching ants--would land on our roof or solar panels.  It's the second tree we've cut in the 30+ years we've lived here, but still it felt as if a giant hole had been punched in the canopy of green life with which we've surrounded ourselves. We love the trees and all that co-exists in their sheltering arms, so this removal was a tough decision.

Juliet Waldron

See all my historical novels here:

Sunday, November 5, 2017


The Plumber came the other day, and my husband, as old folks will, followed him and talked. Our plumber is sufficiently gregarious (I think, by nature) to be agreeable.

Somehow, they began to talk Hershey back in the day—this is a place people don’t seem to leave—born here, die here—so we, as outsiders, ones who have lived here for 33 years now, have a perspective to offer. “How much things have changed” is always a reliable conversation starter. You say “why, I remember when we got here, in 1982” and they nod and then tell you about how it was when they were kids two decades earlier.

We always listen with interest to tales of yore in our small German Electorate. Inside a big family network is another way of being from the manner in which my husband and I were raised, as travelers. We're both water signs and neither of us liked to have the surface of the liquid disturbed. He got jerked around far more often than I did--sometimes yearly--but I got jerked into other cultures.

As young marrieds, we used to compete over whose experience of childhood misery was the greater, but with age comes The Buddha and we have learned compassion for everyone involved.  Nevertheless, the corner of any room is now our preferred habitat, where we watch and learn from the well-connected others, all talking and cheerfully milling about together in the center.   

“So what brought you to this area?” The plumber asked.

Without much thought, Chris says, “Oh to work on PCs at Hershey.”

(Lo, in the former age, not every office desk had a PC. Yes, during that great leap forward in our civilization’s production of reams of paper, there were careers built on Information Technology. Whole new departments appeared inside all the large corporations.)

However, the Plumber, a younger man, probably younger than our kids, looked puzzled, as if “PC” meant nothing to him.

After a pause, he said, “Um--what’s PC?”  

“Oh, that’s Personal Computers,” Chris said. “The big roll out in the 80's when management in all these corporations decided that everyone’s desk—not just the secretary’s—needed one.”

The Plumber looked relieved. “Oh, man! The only thing I could come up with for “PC” was “Political Correctness.”

It was a funny moment,  a “time passes” lesson, where you suddenly see that everyday language has moved on and left you and your now antique meaning behind. 


~~Juliet Waldron
See all my historical novels @

Also available at Smashwords, Kobo, B&N...

Saturday, October 14, 2017

Two Old Wimmen go to see NORMA

My friend and I went to the movies to see Met @ The Movies first offering of the season NORMA by Bellini. My friend went to NYC sixty years ago to be an actress. She was an actress, too, and has terrific stories about performers like and then taught in city schools, because that's often the way "careers" in the Arts go--your chosen professional becomes a hobby, or you starve. She's verbal, sophisticated, and she Got Experience, as we were all instructed to do we young adults of the '60's.  She is, in the language of grand opera Tesoro mio (think that's right--except maybe in the feminine).  She's got first hand stories from those days, a few about actors of the calibre of Albert Finney, who she met back when he'd just played Tom Jones (!!!)   I'm just chuffed to know her, a lovely person in my town who also shares a love of opera. When she returned home to finish up her days--NYC is no place for the old unless they are also, very much, The Very Rich--there was mutual celebration when we discovered one another. 

Neither of us had ever seen NORMA before and were unfamiliar with the story, although we vaguely knew it was Druids v. Romans. We both love the operatic style "Bel Canto," which was brought back to the stage by great divas like Ponselle, Sutherland, and Callas.  Bel Canto means "beautiful singing" which really doesn't give you much information when the subject is opera. Lots of "too many notes" if you're like the Emperor in Amadeus, but let's face it, that's basically so clueless that only an Emperor could get away with saying such a thing and go blithely unchallenged.

If you know any Rossini, you get the drift of how Norma sounds, although I think Bellini is far more entrancing, with his long lyrical lines. My friend and I were just knocked over by both the singing and the production by Sir David McVicar, whose Druids looked like--well, Druids--in a dark forest with the monster stub of an dying oak decked in skulls and swords and shields as the lurking focal point. The singers were stellar, as we Met @ the Movies folk have come to expect. Joyce DiDonato and Sonya Radvanovsky sang with balance, craft, and beauty. Both women can act and handled their closeups well. The tenor who played the point of the love triangle, the super-male Roman commander who thinks he can discard wife#1 without consequence, was played by a charming--in his actual self--Joseph Calleja.  We noted that while he played the villain, he seemed determined, in his interview, to express his personal dislike for the behavior of  male Chauvanist pig he played. 

For a libretto crafted in 1831 in Italy, the story came amazingly close to being a feminist shout out. When the two women, one older and one younger and both priestesses, discover that they are both in love with the same man, they draw together instead of fighting one another. Of course, the older woman has to sacrifice herself for the "greater good" in the end, so we can't give it full marks on liberation, however, my friend was sufficiently amazed to burst out "that's how women should treat one another." 

We could barely get back on our feet when it was over, because we'd stayed where we were during the intermission, which was filled with another fascinating look backstage at workers and machinery at this grandest of all grand opera venues. All those hours later, I was bent like 97 years and grasping the handrail all the way down the stairs from our seating. 

~~Juliet Waldron

P.S.  And is it obligatory that all movie theaters (and Casinos) have those "Fear & Loathing in Las Vegas" carpets?  Nightingale ISBN:  B00D8MEL8E