Afternoon at the Opera

Just attended one of those wonderful HD transmissions in my local Regal theater. These originate at the Saturday matinee of the Metropolitan Opera’s "Aida."

“Met at the Movies” is a godsend to lots of us: elderly fans and to those who’d like to introduce kids to this peculiar Western art form, and folks like me who don’t have a zillion dollars for Trip to NYC + A Good Seat. I hope it raises some money for the Met, too, during this economic fall over the cliff we’ve just passed through.

It’s not only a real treat to see/hear the opera through the privileged eyes of cameras, but to get the commentary from the elegant Diva Renee Fleming. This week, she took us backstage to see fascinating things we’d never get a look at otherwise, like the formidable machinery that moves huge sets and multi-level stages in a few minutes, while stage hands, focused as any pit crew, swarm everywhere.

As the performance is broadcast live, all the glitches are there, too, like this week’s incident where the Prima Donna had to leap across a rapidly opening gap between two stages. Verdi Prima Donnas are not generally made for jumping, so her stumble when she landed elicited a gasp of real fear from the audience who really wanted her to survive to sing the last two acts.

When I was a kid, my mother spent her winter Saturday afternoons stretched on her bed with a cocker spaniel and a murder mystery. She chain-smoked and listened to the Metropolitan Opera’s radio broadcast. We managed to pick it up in the Finger Lakes, although the nearest station that carried it was in Toronto.

Grand Opera became the sonic background to many a snowy, freezing afternoon of childhood. I know this makes me a little strange, but the emotional depth and absolute beauty of operatic music became imprinted on my brain.

Yesterday, I sat in the theater, listening to the familiar score of "Aida" and remembered all sorts of things, like me and my best friend, Gay, dressing up and dancing to this music. A melancholy rush through time into a dark, cold Skaneateles afternoon...

Snow piled up outside, and the two of us, all of ten or eleven, played at ballet and make-believe, putting the needle back on the "Aida Highlights" record again and again. We danced in tights and undershirts, wearing junk jewelry we imagined was exotic, long polyester scarves and odds and ends from the costume box her clever seamstress mother maintained. For a few hours, we were Temple Priestesses or the Princess Amneris' dancing girls, not just kids in a small upstate town.

Out All Night With the Grand Marquis

This has become a catch phrase in our house, applied to people who have been out all night partying—perhaps in scandalous ways. We got it from an advertisement, which I don’t think was ever shown on this side of the Atlantic. It featured a long skit, a divorce trial with a dishy, elegant brunette on the stand. The prosecution lawyer declaims: "She was out all night with the Grand Marquis,” eliciting a gasp from a packed courtroom. The camera pans in on the front row of spectators, and we see a debauched 18th Century aristocrat, silken legs, heels, make-up, wig and all. Next, there is a fast cut to the latest Grand Marquis—a smooth, sleek, ultimately made-in-Detriot automobile—with the brunette at the wheel, driving fast. A voice over passionately tells us all about the car's many new, luxury features.

We thought it was a very clever ad. Me particularly, with my 18th Century hang-up.

Oddly, this is my preamble to another cat story. As you may know, we’ve acquired another. (Actually, he acquired us.) He decided to live here during the winter about two years ago, after searching the neighborhood for an amenable house with an attentive kitty feeder/doorperson. My husband and I proved to fit his requirements to a T. One or the other of us, we’re up and down all night, turning on lights and wandering around at 1 a.m., at 3 a.m., at 4, and maybe 5 o’clock, too. As we are already awake, we can certainly open doors if his Lordship wants to come in during the night for a munchie, a pat, or just to crash on the carpet behind the speaker for a few hours. When he stays out all night, and comes in late mornings, he looks as if he’s really been out with the original Grand Marquis—the old, depraved 18th one—at some drunken hell-fire club.

His kitty eyes are blurry and rheumy, and a long ago injury shows up in a limp which he doesn’t display when he’s fresh out of the sack. He gives us a perfunctory leg rub, then makes a few face-first slams into the crunchie bowl to bolt a few down. Then he’s off to the nearest couch, bed, or warm chair to sleep on his back and drool for the next six hours.

Bookcases I've Loved

My mother had a charismatic English friend named Rosemary, whose home we visited during several school holidays. She lived in an rambling old stone house in the evocatively named small and ancient village of Shipton-Under-Wychwood.

In memory, my image of Rosemary has merged with Julia Child’s. Mother’s friend was a tall, fair, big-boned Englishwoman, forever engaged in day long sessions with French recipe books, standing in an enormous dim kitchen filled with arcane culinary devices and dangling copper pans. Her children were much younger than I, so they weren’t very interesting to me, a solitary teen. She also kept 6 or 7 (they milled in a group, so it was tough to count how many there actually were) long-haired Dachshunds, a breed of dog I’d never met before. They were charming dogs who liked to lie in heaps on the couch, like a fluffy, smiling pile of black and tan pillows.

Rosemary had terrific bookcases, which I was turned loose upon while she and Mom sipped sherry in the kitchen. They were full of historical novels from the 30’s and 40’s—some earlier. Here were Norah Lofts and Elizabeth Goudge with their mystical and yet oh-so-grisly- vision of the romantic past. Between those covers I discovered a burning love for the genre, and learned what a mesmerizing time travel experience a good writer can deliver. The most exotic of all the books Rosemary owned were the ones by Joan Grant: “Winged Pharoah,” and “Lord of the Horizon.” Mrs. Grant always said her “novels” were, in fact, recalled past lives. So brilliantly realized are these books that they infected me. I had dreams about them for years. They also kindled a keen interest in topics which were considered totally wacko in the ‘50’s, but are now Cable TV staples: past lives, auras, astral projection, Egyptian gods and Pharoahs, Atlantis, and so on.

Rosemary was also an expert in all these new and fascinating topics, and seemed to like to talk to me. After a few hours, I found I could enter the kitchen and talk with her about these astonishing things I’d read. The ladies, having imbibed several glasses of sherry and had their grown-up chat, were quite welcoming, even Mom, who was proud of my geekiness. I remember sitting on a stool in that imperfectly lighted kitchen, watching Rosemary turn a perfectly delicious bird into a pate, which to my kid taste buds didn’t taste half as good as plain turkey. Meanwhile, ever more dishes piled into the big sink. Spoons and glittering knives of many sizes and shapes littered the counter. The dachshunds were everywhere underfoot, begging for thrown treats and getting them, their long ears dragging across a slate floor with an authentically medieval patina of grease.

Last night my husband and I were watching a unique, charming romantic movie called "Getting Married in Buffalo Jump," It had two very handsome thirty year old protagonists, and was set in the starkly beautiful outback of Alberta ranch country. At the first dark moment, my husband turned and said "This is just the usual woman's bull****!"

It was not the romance he was objecting to, as he uses his handkerchief regularly during sad or romantic movies. When asked for clarification, he said, "This is all about whether he's good enough for her, and/or what his motives are, but what about her? What do we know about her, about HER skeletons?" He felt the heroine was (a) jumping to conclusions (b) not revealing anything about herself. He thought she was just as culpable--at least in messing up their budding relationship--as the hero was.

I replied that learning about each other, building trust and understanding, and the ups and downs thereof, is a big part of the genre. He said he understood that after years of me on about whatever I was writing, but he was ticked off nonetheless. He said it was out of character for such a strong and independent woman to have shown the guy the door without any further discussion. Moreover, if there was something in her past which made her jump to the worst possible conclusion, he thought we ought to already know this.

I keep thinking about this. Is this an intrinsic difference in how men and women see romance? Or is this just a plotting or characterization problem? Do you think heroines are more easily seen as "virtuous" than their heroes? And/or does this seem instead to be a characterization problem, or, perhaps, a plotting problem? BTW, up to his complaint, I had been thoroughly drawn into the story, and had been entirely willing to believe the heroine's outburst of anger and uncertainty.

Cicada Time

Bob was sitting on the picnic table the other morning, smiling and pleased with himself. He’d been out dancing in the moonlight, even though it was unusually chilly over night. I was sitting on the bench, patting him. He seemed entirely happy, kneading air with his paws and showing me his spotted belly, playing at being a Domesticated Animal.

The first cicadas are starting in our area, the genetic misfits who awaken on the far edge of their particular Bell Curve. They don’t sing much and flame out early. When one fell from a nearby maple, buzzing like a clockwork toy unwinding, Bob leapt from the table with a bound which would have done a cougar credit and made short work of it.

(It’s humbling, the way he can tune me out. Snap! Gone on cat business!)

I suppose he ate the poor confused thing, like he does everything else. Cicadas, with heads that are pure fat, are one of Mother Nature’s most sought-after crunchy snacks. Birds adore them. I’ve even seen squirrels eat them, these winged, green-armored Doritos of the insect world. I would think the wings and feet would make for an over-ridingly icky mouth feel, but not coming from an insect-eating culture, I’m not the one to judge.

I love cicadas. When I was small, some imaginative family member told me that their wings--see-through, gossamer, etched in green--were fairy wings. I guess what I really love is their deafening song, which can be as loud as 120 decibels up close. They are one of the few noisy things in which I take pleasure. It’s Nature, after all, like waves crashing on shore. The males on my trees start; the neighbor’s cicadas shout out an answer. With the trees arching green overhead, it’s my favorite sort of chorale.

The Great Sammu

“Pica” is defined as a “depraved or perverted appetite … for unnatural food, as chalk, clay, etc. common in chlorosis or pregnancy…”

My mother used the word in a way which stripped it mostly of those dire connotations, simply to describe cravings, like the classic chalk or pickle cravings of the old time malnourished pregnancy. I’ve often thought of the word when describing some of the odd foods my many felines have enjoyed over the years.

One of the oddest cravings I’ve ever seen in a cat were those of Sam, a.k.a. The Great Sammu, a large apple-headed Siamese who adopted us when we lived in Hendersonville, Tennessee. (The name “Sam” slowly morphed into “Sammu” because he was fat and sleek, like Nammu, the Whale). Sam had been living next door with his boy and his boy’s family. They had fallen on hard times, and had moved in temporarily with an aunt and uncle. A dog already lived there, and although this dog was a mellow character, Sammu’s nose was out of joint. He began to show up on our doorstep, rub on our legs and converse with us in his most elegant Siamese. He was a gorgeous seal point, with dark blue eyes, very intelligent, and skilled at getting his way. Finally, he spent so much time mooching at our house that his boy simply gave him to us.

Sammu lived happily with our family for about four years, until something happened to him, about 2 years after our move to PA. We never found out what. One day, while I was deathly ill with bronchitis, he just didn’t come home. Although I hobbled around the neighborhood coughing, searching alleys and garages, I never found his body. My dearest hope is that someone catnapped him; he was beautiful and personable.

At any rate, we learned from the boy next door that Sammu’s family had found him behind a Mexican restaurant in Arizona, where he was scrounging the dumpster for his supper. This must have been where he came by his pica, which was for “Mexican.” In the ‘80’s, making Nachos out of corn chips covered in bean and burger chili, layered with cheese, salsa, guacamole and sour cream was the latest thing. I soon learned I could never produce one of these meals without fixing a little plate for Sam. It was quite amazing to watch him eat, because he’d just start at the top and work his way straight through to the corn chips at the bottom. Cats aren’t really equipped for handling this kind of food, but he would sit there and chew away at the corn chips until he’d got most of them down. He seemed just as fond of the beans and guacamole as he was of the more predictable sour cream and hamburger. After he finished, he sat there, sides bulging, cleaning his face and long whiskers with one elegant, dark chocolate paw. We always wondered whether we should offer him a little dish of cerveza to go with it.

Vertigo & The Battle of Saratoga

The Schuylerville Monument commemorates the surrender of General Johnny Burgoyne to General Horatio Gates at Saratoga, a battle which was a turning point in the American Revolution. The British, who’d hoped to split the colonies in two with this invasion, started from Canada. The British gentlemen who took part were promised the lands of the American planters, Dutch descendants like Major General Philip Schuyler, who owned most of the upper Hudson and Northern New York. Gentlemanly Johnny Burgoyne set out with German noblemen and mercenaries in tow, anticipating a cake walk through ineffective Colonials, but what they got instead was a summer of guerilla warfare launched by Vermonters and the New York back country boys who’d been mobilized by Schuyler to destroy existing roads, fell trees, burn bridges, destroy crops, snipe, and generally mess up what seemed like a simple plan. The battle was fought near my family’s home place. They’d built a homestead in 1745 with Mohawk for neighbors, out in what was then the back of beyond.

Mother believed in pilgrimages to the old home place. She’d spent many summers on the farm with her grandparents, running barefoot, in periodic terror of an enormous rooster who patrolled the path to the outhouse. I went to a lot of battlefields and graveyards during my formative years, but one of the places I learned to dread was the Schuylerville Monument.

There are 184 cast iron steps inside this old stone tower leading to the top. Here, hardy souls are rewared with a commanding view of the beautiful upper Hudson countryside. Three bronzes figures decorate the crown: Horatio Gates, who politicked his way into commanding the Continental army for the actual battle, Philip Schuyler, who successfully prepared the ground for success and Daniel Morgan, whose riflemen played a large role in the victory. The fourth niche, for Benedict Arnold, who fought heroically at Saratoga and was seriously wounded, is empty.
The cast iron steps are why I still experience anxiety when I think of this place. Lovely, 19th Century, ornate--and to my vertiginous brain--filled with holes, holes through which I could see the descending spiral below me, through which I could see the bottom. I remember walking, then crawling on my hands and knees. Mother’s brown legs raced ahead. I sweated. I trembled. I sat down and laced my fingers through the holes. Despite the calls of “Come on! Hurry! Don’t be silly! Don’t be such a ’fraidy cat!” I began to back down, clinging to each stair. I can still see the flowery pattern, how worn and thin and frail the ironwork seemed. I imagined them bending, giving way, and then saw myself falling. I remember resting my forehead for a time against the cold metal, getting up the courage to keep backing down.

I was perversely pleased when I looked the monument up on the internet, and it said: “DO NOT attempt if you are acrophobic.” I guess I’m not the only one who has chickened out while attempting to get to the top of this venerable Victorian tower!